Series: New York Review Books Classics
Paperback: 352 pages
Publisher: NYRB Classics; New Ed edition (May 31, 2000)
Language: English
ISBN-10: 0940322242
ISBN-13: 978-0940322240
Product Dimensions: 5 x 0.8 x 8 inches
Shipping Weight: 8.8 ounces (View shipping rates and policies)
Average Customer Review: 4.2 out of 5 stars See all reviews (16 customer reviews)
Best Sellers Rank: #701,021 in Books (See Top 100 in Books) #27 in Books > Literature & Fiction > Genre Fiction > Religious & Inspirational > Short Stories & Anthologies > Short Stories #3870 in Books > Humor & Entertainment > Humor > Satire #6242 in Books > Christian Books & Bibles > Catholicism
The best of the series of books published by The New York Review of Books are all the works of J.F. Powers, who died in 1989. Powers' novels and stories are almost entirely concerned with Catholic clerical life in the midwest. I hadn't read his last novel, Wheat That Springeth Green, and I was happy to find that the new edition contained an introduction by the author's daughter, Katherine Powers. Wheat That Springeth Green is every bit as fine as Morte D'Urban, his first and only other novel written some 25 years earlier, and a National Book Award winner as well. In its treatment of character and plot the latter novel is theologically perhaps even more complex.Joe's character is cast from the first pages: as a toddler he gets attention from his parents' friends merely for declaiming at a party "I go to church!" We also learn of his parents' antipathy towards the parish priest's intoning on the subject of the "Dollar-a-Sunday Club," an attitude that Joe will inherit, and which becomes a theme that will be played out in a number of surprising ways. We also sense something of his aloofness in these first chapters as well. He doesn't keep up with many friends, but he does seem to know the value in keeping up appearances: "Joe just smiled at Frances and everybody, so they couldn't tell how he really felt about being in the sack race..." Joe is a good athlete, even in grade school, and the race he really wants, but doesn't get, is the sprint.Much of the story revolves around Joe's relation to money, so that even an early adventure (described in nearly pornographic detail) involving his first adult relations with women is later understood to be subsumed by his larger pecuniary obsessions.
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