Paperback: 272 pages
Publisher: Ten Speed Press (July 10, 2012)
Language: English
ISBN-10: 1607742454
ISBN-13: 978-1607742456
Product Dimensions: 5.5 x 0.7 x 8.2 inches
Shipping Weight: 8 ounces (View shipping rates and policies)
Average Customer Review: 4.6 out of 5 stars See all reviews (238 customer reviews)
Best Sellers Rank: #10,620 in Books (See Top 100 in Books) #34 in Books > Reference > Words, Language & Grammar > Rhetoric #56 in Books > Health, Fitness & Dieting > Psychology & Counseling > Applied Psychology #72 in Books > Reference > Writing, Research & Publishing Guides > Writing > Writing Skills
I found a few memorable nuggets here and there. But mostly it was common sense laced with some tidbits from science to make it seem more substantial. One reviewer here warned everyone to brace themselves for the amazing ending. What a letdown.I liked the some of the myths she addresses. These were highlight for me. For example all books need suspense and page-turning appeal, even literary novels. I believe it. Another: learning how to tell stories is more important than writing finely-crafted prose. Quite plausible. I also like where she explains the truth meaning of the old adage: show don't tell. You need to explain why people are feeling that way and not just show their reaction.I also think her advice on stringing together cause and effect with setups and payoffs is very important, but for me it was just a reminder and doesn't require an understanding of brain chemistry. She has some good quotes but a lot of her scientific references left me scratching my head. Sometimes she forces quotes into places that are out of context and not in support of her point.I was hoping to get some insights from science so I could learn to hook the reader psychologically. But it's more like she is using science to prop up common-sense material you would find in any basic class or book on writing. Possibly, she is sprinkling quotes from smart people in order to make herself sound smarter.I appreciated specifics from works like "Gone with the Wind" and even "Die Hard." Most of the time, however, she makes up scenes with Sue and Peter in some ad hoc scene. Usually I got her point, but it seems kind of lazy to make up silly stories when she could be drawing examples from actual books.
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