Series: The Boy Sherlock Holmes (Book 1)
Paperback: 272 pages
Publisher: Tundra Books; Reprint edition (May 12, 2009)
Language: English
ISBN-10: 0887769195
ISBN-13: 978-0887769191
Product Dimensions: 5.1 x 0.7 x 7.7 inches
Shipping Weight: 10.4 ounces (View shipping rates and policies)
Average Customer Review: 4.5 out of 5 stars See all reviews (21 customer reviews)
Best Sellers Rank: #492,271 in Books (See Top 100 in Books) #231 in Books > Teens > Mysteries & Thrillers > Historical #383 in Books > Teens > Mysteries & Thrillers > Law & Crime #1599 in Books > Teens > Mysteries & Thrillers > Mystery & Detective
As a mother who screens everything her 13-year-old daughter reads, including and especially those recommended by various reading lists, I've always been more than a little troubled by the character of Sherlock Holmes. Nobody says anything about the heroin addiction and depression suffered by this fictional character created by a (quite obviously) similarly contradictory writer, who is at once a man of science and superstition - but as a conservative anti-substance-abuse parent, I think that if we whitewash that about this prodigious detective, we are not being honest about the often high price geniuses have to pay in exchange for their brilliance. Like the real person James Audubon who used to kill and pose real birds to create his fantastic bird portraits, Holmes is so clinical sometimes in his deduction, he borders on psychotic. That said, of *course* I *love* the Sherlock Holmes mysteries! Of *course* Sir Arthur Conan Doyle is one of the best mystery writers who ever lived! So, yes, any writer who attempts to speculate on what kind of young man Sherlock Holmes was before he became this great detective - well, if you're a regular, normal, *safe* person who "just" writes well for a living, you couldn't possibly hope to come close to the standards set by Doyle. "The Eye of the Crow" by Shane Peacock, however, does come pretty close.In "The Eye of the Crow", both the voices of the characters as well as the setting are authentic to the late 18th / early 19th-century. You can smell the docks of London, feel the smog as you wander through the gas-lamp-lit cobbled streets, sense impending threats around every other street corner, and appreciate the politics of class distinction as you flip through the pages.
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