Hardcover: 288 pages
Publisher: Henry Holt and Co.; First Edition edition (April 12, 2004)
Language: English
ISBN-10: 0805075682
ISBN-13: 978-0805075687
Product Dimensions: 6.8 x 1.1 x 8.9 inches
Shipping Weight: 1.8 pounds
Average Customer Review: 4.5 out of 5 stars See all reviews (4 customer reviews)
Best Sellers Rank: #1,851,709 in Books (See Top 100 in Books) #83 in Books > Science & Math > Biological Sciences > Animals > Birds & Birdwatching > Excursion Guides #1303 in Books > Biographies & Memoirs > Professionals & Academics > Environmentalists & Naturalists #3040 in Books > Biographies & Memoirs > Professionals & Academics > Scientists
Let us say the Book Fairy comes and says you can be given one book, any book you want. Here's my advice: take John James Audubon's _The Birds of America_. Of course you want the original edition, the volumes that appeared between 1826 and 1838. Not only is it one of the most beautiful books ever printed, if you get tired of it, you can sell it. The last one that came up for sale, in 2000, went for $8.8 million. Just about everyone knows about this book, or has seen reprints from it, and has heard of Audubon (perhaps because of the Society that bears his name) and associates him with birds. He has had several biographies, but _Audubon's Elephant: America's Greatest Naturalist and the Making of the Birds of America_ (Henry Holt) by Duff Hart-Davis takes a specific look at the extraordinary book, and how _The Birds of America_ could not have been made in America.Audubon's own adopted country had no room for his huge project of a book to show all the birds of America life sized. Naturalists at the time actively discouraged anyone's support of Audubon's efforts, and there were not printers up to the task. So in 1826, Audubon sailed with his big watercolors to England. He became a celebrated American rustic, captivating the town of Edinburgh. He went about carrying his huge portfolio which weighed nearly a hundred pounds, slung over his shoulder. The first printer of the work, having see it, responded, "My God! I never saw anything like this before." He was right; Audubon's pictures had size, drama, and color no previous bird pictures even hinted at. The pictures caused a sensation, and Audubon was caught in a whirl of dining and socializing that he enjoyed enormously.
I wish I could say which ran out of steam first (if I may use a cliche)--the book or me. "Audubon's Elephant: America's Greatest Naturalist and the Making of the Birds of America" began as such a promising book, but by mid-point I could read no more than a page or two without my mind blanking out from word fatigue.Yes, I learned quite a bit about Audubon's beginnings, how he came to America to escape Napoleon's armies, how he fell in love with the wildness of America, with its birds in particular. This is a story of one man, who happened to be in all the right places at the right time (and including not-so-right places). His own physique and physical stamina aided him in incredible feats of long distance walking and hunting. His love of the natural world and indomitable curiosity eventually led him into the task that has made him world famous and admired--painting scientifically the birds of America.But it was not America who would appreciate his work of presenting the birds in their actual size on paper--paper large enough to accurately show that size. The Wild Turkey became the standard for the double-elephant folio.The creation of this double-elephant book depicting 433 birds of America is the subject of "Audubon's Elephant." As with most artists, Audubon had his quirks. He didn't make much of a living for his wife and two sons, whom he left in America while he sought subscribers for his one hundred pound book first in Scotland, then in England and France. He kept detailed journals and wrote gushing and reflective letters to his faithful wife, even admitting attractions to other women.
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